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Lopo Visuals
About me

One person. Full attention.

I'm André Lopo. I direct, film and edit every project myself, from Rotterdam.

  • Director
  • Cinematographer
  • Editor
  • Colourist
André Lopo

How it all started

  1. 01The spark

    It started with a phone camera and two friends, making content just for fun. When I decided we needed better quality than a phone could give, I bought my first camera.

    I had no idea what I was doing at first, and for a while I thought I'd wasted the money. But the more I learned, not just about cameras but about lighting, videography and cinematography as a whole, the more it turned into a real passion. I kept making content, always chasing a better result.

  2. 02Where it comes from

    I've always had a big passion for movies, Christopher Nolan's work especially. Watching films taught me a lot about pacing, lighting and storytelling, even if my day-to-day work leans more toward fitness and brand content right now.

    It's part of what keeps pulling me toward bigger, more cinematic work. My personal goal is to keep growing into a cinematographer for film and TV, and every brand project I shoot now is part of that same craft.

  3. 03From passion to business

    That passion turned into a business almost by accident. I made some early videos for Sharkys Gym, mostly to build up my work and figure out what I was doing. A few years later, once I'd sharpened my craft, Sharkys came back as a real client. Today we make content together that gets real views and brings in new members.

    Other people noticed the work too, and one project led to another. That's when it hit me: this could be more than something on the side. That's how Lopo Visuals started.

Three years and 90+ projects later, my goal hasn't changed: storytelling and visuals that don't just look good, but work for your business. Because I run every project myself, not a rotating team, you work directly with the person shooting and editing your story. One person, one relationship, full attention on your video.

How I work

  • One point of contact

    From the first call to the final edit, you talk to me. No account managers, no handovers.

  • Approved before we film

    You see and approve the script first, so the shoot day is about getting it right, not figuring it out.

  • A cinematic look

    Cinema camera, light and sound on every shoot. When it fits, I shoot on anamorphic lenses for a real cinematic feel.

  • Extra hands when it counts

    For big events I bring a second videographer, so no important moment is missed.

  • 90+

    Completed projects

  • 65+

    Happy clients

  • 5.0★

    Google

  • 9.7★

    Trustoo

Trusted by teams at

Keylane
Versuni
Eneco eMobility
Sharkys
Petrogas E&P
HYBRT
Lucie with the Six Punches
CSRD Collectief
LieverFit
Lievermama
Offline
Stormfield
RDAM Gym
ASVZ
Fit Lounge
KSO
QED Technologies